Archive for the 'Guitar Effects' Category



Era of Electronic Effects Posted By : Victor Epand

Thursday 29 November 2007 @ 2:11 am

In today’s music scenario electronic effects are becoming popular. This article is about different electronic effects of different instruments and what makes them popular.

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Dunlop: GCB-80 High Gain [Reviews]

Friday 16 November 2007 @ 12:11 am

Guitar Effects: The Dunlop GCB-80 High Gain Volume effects pedal has a heavy die-cast housing and is built to be trod upon for as many years as you have in you. One-million cycle potentiometer is quiet, smooth, and designed for extended use. Passive design requires no power input.

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Electro-Harmonix: Q-Tron [Reviews]

Saturday 3 November 2007 @ 12:11 am

Guitar Effects: The improved Electro-Harmonix Q-Tron Envelope Filter provides all the wah sounds of the famous Mu-Tron III heard on countless funk and rock recordings, but with increased frequency response and improved signal-to-noise ratio.

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Behringer: DD100 [Reviews]

Saturday 28 July 2007 @ 1:07 am

Guitar Effects: This is the ultimate digital delay effects pedal, truly comparable to state-of-the-art studio processors. It features ultra-high 24-bit/24 kHz-resolution stereo delays/echoes with delay times of up to 1.3 seconds.

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Behringer: TU300 [Reviews]

Saturday 28 July 2007 @ 12:07 am

Guitar Effects: The TU300 stomp box offers you a quick and easy way to tune your guitar. It gives you comprehensive tuning capabilities when you�re on stage or in the studio.

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Behringer: DR100 [Reviews]

Friday 27 July 2007 @ 11:07 pm

Guitar Effects: Here�s another digital reverb effects pedal comparable to state-of-the-art studio processors. A 24-bit/40 kHz, ultra high-resolution collection of stereo reverbs includes Spring, Plate, Hall, Room, Gate and Modulate�all in stereo�while dedicated Level, Tone and Time controls are provided for effortless sound shaping.

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Behringer: EQ700 [Reviews]

Friday 27 July 2007 @ 11:07 pm

Guitar Effects: Shape your sound effortlessly and eliminate feedback with 7 EQ bands. Tackle frequencies ranging from 100 Hz to 6.4 kHz with a powerful 15 dB boost/cut per band.

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Maxon: OD-9 Pro+ [Reviews]

Sunday 1 July 2007 @ 10:07 pm

Guitar Effects: A classic overdrive pedal with separate Drive, Tone, and Level controls, and a special Normal/Boost mode switch to provide standard tones or fatter midrange and increased gain.

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Line 6: ToneCore Uber Metal [Reviews]

Friday 13 April 2007 @ 4:04 am

Guitar Effects: Uber Metal brings you massive amounts of gain in one tiny, tough package. You can chose from some of the best Line 6 high-gain tones from HD147 and Vetta II including Metal, Pulverize, and Insane. Also included with the Uber Metal is a built-in selectable noise gate, and scoop control for massive tonal contouring.

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Line 6: Floor POD [Reviews]

Friday 6 April 2007 @ 2:04 pm

Guitar Effects: Rock �n� Roll has never been about taking things in moderation. So why skimp on your guitar tone? Floor POD� offers 12 prescription-strength amp and cab models from the critically acclaimed POD� 2.0 plus amazing sounding, easy-to-use effects right at your feet. Now you can have your signature sound in any situation.

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Vox: DA5 [Reviews]

Wednesday 4 April 2007 @ 2:04 am

Guitar Amplifiers: The new DA5 Digital Amplifier from Vox delivers high-quality guitar tone in a portable, compact and affordable package. In addition to heavy good looks, the 5-watt DA5 boasts some killer digital sounds, like 11 distinctive sound styles, 11 high-quality built-in effects, a super-easy knob-based control panel, and more. Plus, the versatile DA5 offers battery power making it the best sounding, most versatile, truly portable guitar amp.

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DigiTech: Brian May Red Special [Reviews]

Friday 30 March 2007 @ 2:03 am

Guitar Effects: Seven signature tones that rocked the world. The Brian May Red Special pedal lets you bring your own personal creations to life using one of rock’s most distinctive guitar tones.

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Boss: FDR-1 Fender ‘65 Deluxe Reverb [Reviews]

Friday 23 March 2007 @ 8:03 am

Guitar Effects: The second in the new Legend Series is the FDR-1, based on the Fender 1965-era Deluxe Reverb, a coveted tube amp known for its natural touch-responsive and distinctive snappy overdriven sound. In conjunction with Fender, BOSS designed this stompbox to recreate the legendary tone of the 1965 Fender Deluxe Reverb amp. Features include the same controls on the original Deluxe Reverb: Level, Gain, Treble, Bass, Vibrato and Reverb. The FDR-1 also functions perfectly as a �pre-gain pedal� placed before an already overdriven amp to add the tone character of the Deluxe Reverb.

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Behringer: UO100 [Reviews]

Friday 23 March 2007 @ 5:03 am

Guitar Effects: Create monster sound by adding two additional tones using your guitar�one and two octaves below the original tone. There are dedicated volume controls for all three tones for effective sound shaping, and a flexible 3-mode Range switch allows ultimate bass performance. We�ve included a status LED for effect On/Off and battery check, and you can run your UO100 on a 9 V battery or a DC power supply (not included). For absolutely noise-free operation, a first-class electronic On/Off switch is integrated. The UO100 works wonderfully with bass too!

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Boss: FBM-1 Fender ‘59 Bassman [Reviews]

Wednesday 21 March 2007 @ 11:03 am

Guitar Effects: Thanks to Boss� technology and tone know-how, the new FBM-1 brings the natural, fat, rich, bright tone of the Fender Bassman to a BOSS pedal.

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