
"...
Get Your Groove On and Play With ATTITUDE!"
Mastering The
Electric Bass
Guitar
The unsung hero of many a rock band
has got to be the Bassist. He or she
may not get the adoration of the
Lead Guitarist or Lead Vocalist but
without the Bassist the whole sound
of the band will be flat and one
dimensional.
The Bassist is the cool
character that provides the glue of rhythm and harmony to
give the band depth and soul. In the right hands it gives
the band it's feel and attitude - it's the very heartbeat of
the band.
Why else would you turn up
the volume of your favourite rock song and get lost in the
deep, mellow and irresistible hypnotic rhythms of this
powerful instrument.
The Bass Guitar is
responsible for linking the harmony (chords) of a song with
the distinctive rhythm (groove) that contributes to the feel
or style of the music.
One of the primary
functions of the Bass Guitar is keeping a steady rhythm or
pulse. The Bass Guitar works very closely with the drummer
in a stasis of synergy.
The
Electric Bass Guitar (also called an
Electric Bass or just Bass) is similar in appearance to an
electric guitar, but with a larger
body, a longer neck and scale
length, and usually four strings
tuned an octave lower in pitch, in
the bass range.
Since the 1950s, the
electric bass has largely replaced the double bass in
popular music. The bass is typically used to provide the
low-pitched bassline and bass runs in popular music and
jazz. The electric bass is also used as a soloing instrument
in Jazz, Fusion, Latin, Funk styles.
| 1930s |
Introduction
of Fretted Bass |
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Paul Tutmarc
developed a guitar-style electric bass instrument
that was fretted and designed to be held and played
horizontally. this made the Bass easier to learn.
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1950s |
The Fender "P-Bass" |
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Leo Fender developed the
first mass-produced electric bass in the 1950s. His
Fender Precision Bass, introduced in 1951,
became a widely copied industry standard "P-Bass"
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1960s |
The Fender "J-Bass" |
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First introduced in 1960, The Jazz Bass
was known as the Deluxe Bass.
The "J-Bass" featured two single-coil pickups, one
close to the bridge and one in the P-bass' position, each
with separate volume and tone controls. The J-Bass' neck was
narrower at the nut than the P-bass. Another visual
difference that set them apart is the j-bass' "offset-waist"
body.
Pickup positions are often
referred to as "P" or "J" position pickups, in reference to
Precision and Jazz basses.
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Other Prominent Manufacturers |
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Gibson released the EB-0
Bass in 1959. Many of Gibson's early basses featured
one humbucking pickup
mounted directly against the neck pocket.
With the explosion of the popularity of rock music in the
1960's Rickenbacker, Danelectro, ESP Guitars, and many
others started to produce their own version of the electric
bass.
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1970s |
Boutique Basses |
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The 1970's also saw the founding of
Music Man Instruments,
owned by Leo Fender. Music Man produced the StingRay,
the first widely produced bass with active (powered)
electronics
IAlembic
established the template for what would subsequently be
known as "boutique" or "high end" electric basses. These
expensive, custom-tailored instruments featured unique
designs, premium wood bodies chosen and hand-finished by
master craftspeople, onboard electronics for preamplification and equalization, and innovative
construction techniques such as multi-laminate
neck-through-body construction and graphite necks.
5-string
basses with a low "B" string also appeared in the mid-1970s.
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1980s |
Further Design Experiments |
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As the electric bass
matured, new designs continued to push the envelope.
Ned
Steinberger introduced a headless bass ("stick"
pictured right) in 1979 and continued his innovations in the
1980s, using graphite and other new materials and in 1984
introducing the Trans-Trem tremolo bar.
In 1987, Guild
Guitar Corporation launched the fretless Ashbory bass which
used silicone rubber strings and piezoelectric pickup to
achieve a "double bass" sound with an extremely short 18"
scale length.
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A wide variety of
different options are available for the body, neck, pickups,
and other features of the bass. Instruments handmade by
highly-skilled masters of the craft of lutherie
(guitar-making) are becoming increasingly available. Design
options include:
Body
Bodies are typically made of wood
although other materials such as graphite have also been
used. While a wide variety of woods are suitable for use in
the body, neck, and fretboard of the bass guitar - the most
common type of wood used for the body is alder, for the neck
is maple, and for the fretboard is rosewood. The choice of
body material and shape can have a significant impact on the
timbre of the completed instrument as well as on aesthetic
considerations.
Other design options include finishes, such as lacquer, wax
and oil; flat and carved designs; Luthier-produced
custom-designed instruments; headless basses, which have
tuning machines in the bridge of the instrument; and several
artificial materials such as luthite. The use of artificial
materials allows for unique production techniques such as
die-casting, to produce complex body shapes.
While most basses have solid bodies, they can also include
hollow chambers to increase the resonance or reduce the
weight of the instrument. Basses are also built with
entirely hollow bodies, which changes the tone and resonance
of the instrument.
Necks
Bass guitar necks, which are longer than regular electric
guitar necks, are generally made of maple or ash. More
exotic woods include bubinga, wenge, ovangkol, and goncalo
alves. Graphite or carbon fiber are used to make lightweight
necks, an approach pioneered by G. Gould of Modulus Guitars.
Peavey makes the graphite-necked basses such as the G-Bass
the B-Quad, and Status has manufactured entire basses out of
graphite, many other guitar companies also use graphite in
their necks, to add stability and sustain.
Acoustic Bass Guitars are typically equipped with
piezoelectric or magnetic pickups and amplified.
The materials used in the strings gives bass players a range
of tonal options. String types include all-metal strings (roundwound
or flatwound), metal strings with different coverings, such
as tapewound and plastic-coatings, and non-metal strings
made of nylon.
Roundwounds have a brighter timbre with greater sustain than
flatwounds. Flatwounds are still used by bassists who want a
more vintage, smooth, or damped sound.
The more you look into
playing the bass guitar the wider the scope becomes. To
start we will look at the standard tuning arrangements of
the 4-string bass and it's more common tuning variants. Then
we will move onto the extended range bass guitars ranging
from 5-string to 12-string.
STANDARD 4-STRING
BASS TUNING

The standard design
electric bass has four strings, tuned E, A, D and G with
the fundamental frequency of the E string set at 41.2 Hz,
making the tuning of all four strings the same as that of
the double bass. This tuning is the also same as the
standard tuning on the lower four strings on a 6-string
guitar, but an octave lower.
A number of other tuning options and bass types has been
used to extend the range of the instrument. The most common
are:
Four strings with alternate tunings to obtain an extended
lower range. Tunings such as:
4 String
Bass Guitar Tuning
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E-A-D-G |
Standard 4 string tuning
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B-E-A-D |
requires a low
"B" string in addition to the other three "standard"
strings
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D-A-D-G |
"standard" set of
strings, with only the lowest string detuned
'drop D'
|
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D-G-C-F |
"standard" set of
strings, all of which are detuned to give bassists
an extended lower range.
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C-G-C-F |
As above however
instead of 'drop D' it is now 'drop C'
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Detuners are mechanical devices operated by the
left-hand thumb that allow one or more strings to be
instantly detuned to a pre-set lower pitch. These are
typically used to drop the "E"-string down to "D" on a four
string bass.
More rarely, some bassists will add detuners to more than
one string, to enable them to detune strings during a
performance and have access to a wider range of chime-like
harmonics.
Less commonly, bassists have used other types of basses or
tuning methods to obtain an extended range. Instrument types
or tunings used for this purpose include:
5-string Bass Guitar Tuning
|
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B-E-A-D-G |
low "B" provides added lower
range
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E-A-D-G-C |
High "C" provides added
higher range
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6-string Bass Guitar
Tuning
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B-E-A-D-G-C |
4-string bass with both an
additional low "B" string and high "C" string.
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B-E-A-D-G-B |
high C tuned down to a B
matching the E-A-D-G-B strings found on the
lower end of a guitar.
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7-string Bass Guitar
Tuning
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B-E-A-D-G-C-F |
These basses add a low B string below the E string
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8-string Bass Guitar Tuning
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F#-B-E-A-D-G-C-F |
These 8-string basses add a low F# string below the B string.
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| Ee-Aa-Dd-Gg |
The 8 strings
are grouped into sets of 2 to be played
simultaneously, tuned to standard 4 string
tuning in unison or octaves apart.
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9-string Bass Guitar
Tuning
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F#-B-E-A-D-G-C-F-Bb |
The 9-string bass also adds a high Bb string above the F
string.
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10-String Bass Guitar
Tuning
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Bb-Ee-Aa-Dd-Gg |
Ten-string basses have octave
strings added to the low-B (tuned to a Bb) of a
5-string bass
|
12-String Bass Guitar
Tuning
|
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Bb-Ee-Aa-Dd-Gg-Cc |
6-string bass tuning with 6
groups of strings tuned an octave apart
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| Eee-Aaa-Ddd-Ggg |
A 12-string bass might be tuned four groups
of three strings each, tuned standard 4 string pitch augmented by
two strings an octave higher.
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OTHER
BASS GUITAR TUNING TYPES
15-string Bass: Eee Aaa Ddd Ggg Ccc
First
conceived by Jauqo III-X has been produced by Warrior
Guitars.
4 String Guitar-tuned Bass:
D-G-B-E
The tuning matches the first four strings (from
highest to lowest) of a guitar, pitched two octaves lower.
Tenor Bass:
A-D-G-C,
Like the top 4 strings of a 6-string bass, or a simply a
standard 4-string with the strings each tuned up an
additional perfect fourth.
Piccolo Bass: e-a-d-g
An octave higher than standard bass tuning—-the same as the
bottom four strings of a guitar - used by Stanley Clarke.
Sub-contra Bass:
C#-F#-B-E
C# being at 17.32 Hz, or the sub-bass guitar E-A-D-G one
octave below standard ("E" being at 20.6 Hz). To amplify the
low pitches of these instruments, a subwoofer capable of
extended low-range reproduction may be needed.
11-string and 12-string Extended Range Bass Guitars
Luthier Michael Adler built the first 11-string bass in 2004
and completed the first single course 12-string bass, a
concept created by bassist Garry Goodman, in 2005. The bass
matches the range of the 97 note grand piano and requires
special strings. These instruments are now being built by
other luthiers.
Plectra vs. Fingers or
Thumb
The electric bass, in contrast to the upright bass (or
double bass), is played in a similar position to the guitar,
held horizontally across the body. Notes are usually
produced by plucking with the fingers or with a guitar pick
(plectrum).
Picks are widely used in pop, hard rock, punk rock and metal
styles.
Using a pick typically gives the bass a "brighter",
"punchier" sound, while playing with fingers makes the sound
softer and round. Some bassists use their fingernails
flamenco-style to provide some compromise between playing fingerstyle and using a pick.
Instead of alternating downstrokes and upstrokes, players
can perform all downstrokes, which provides a more
consistent attack to each note. Bassists trying to emulate
the sound of a double bass will often pluck the strings with
their thumb or fingers rather than a plectrum, and use
palm-muting to create a short, "thumpy" tone.
Right Hand Support and Position
Variations in style also occur in where a bassist rests his
right-hand thumb (or left thumb in the case of left-handed
players).
A player may rest their
thumb on the top edge of one of the pickups. One may also
rest their thumb on the side of the fretboard, which is
especially common among bassists who have an upright bass
influence.
Also, bassists may simply
anchor their thumbs on the lowest string (and move it off to
play on the low string). This technique is known as the
"floating thumb", and was previously popular mainly with
bassists who played five or more string basses, but is now
common for all bassists.
Early Fender models also
came with a "thumbrest" attached to the pickguard, below the
strings. Contrary to its name, this was not used to rest the
thumb, but to rest the fingers while using the thumb to
pluck the strings.
The thumbrest was moved
above the strings in 1970s models, and eliminated entirely
in the 1980s.
Striking or Plucking Position
Depending on where the
string is plucked, a different timbre is produced. Plucked
close to the bridge, produces a bright and "punchy" sound.
Plucked closer to the neck, near the neck pickup, gives a
darker sound with a stronger fundamental.
"Slap and Pop," Tapping, and Related Techniques
The slap and pop method,
in which notes and percussive sounds are created by slapping
the string with the thumb and releasing strings with a snap.
Another technique, the "double thump," is when the string is
slapped twice, on the upstroke and a down-stroke. Examples of
the slap and pop technique can be seen at
http://www.howtoslapbass.com/slap-bass-tutorial/
In the two-handed tapping style, both hands play notes by
rapidly pressing and holding the string to the fret, which
makes it possible to play contrapuntally, and utilize chords
and arpeggios.
In the piano hammer-style, the right hand is whipped towards
the bass string then retracted quickly by pivoting the
wrist, so that the index finger taps the string in the same
way that a piano hammer strikes a piano string. Usually two
fingers are required with this technique. Patting technique
related from the piano hammer-style, where three or four
fingers are used to pat several strings close to the bridge,
while chords are played with the left hand.
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Resource Links
Bass Guitar History
Bass Guitar Design
Strings
Bass Guitar Tuning
Bass Playing Techniques
Coming Soon...
From
the makers of Jamorama..
"Bassorama"
Under development, Bassorama
further develops guitar playing skills while specifically
targeting skills and techniques needed to play bass guitar.
Expected release date is mid 2007.
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Slap Bass Riffs"
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Secrets to slap bass the easy way
Click Here!
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download.
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The "Stick"

The "P-Bass"

Acoustic Bass |