
"Owning Your First Guitar
Is Just The Beginning..."
A True Craftsman Knows
The
Tools
of their Trade
Once you become competent and confident
in your playing then you can experiment with different
sounds and effects. Some can be accomplished with good
playing techniques and others with gadgets and accessories.
Below are just some of the guitar accessories
you can use to create some fun effects.
The materials used in the strings gives players a range
of tonal options. String types include all-metal strings (roundwound
or flatwound), metal strings with different coverings, such
as tapewound and plastic-coatings, and non-metal strings
made of nylon.
Roundwounds have a brighter timbre with greater sustain than
flatwounds. Flatwounds are still used by bassists who want a
more vintage, smooth, or damped sound.
An excellent supplier of high quality
guitar strings is
Sfarzo. They have a good range and variety so no
matter what instrument you have you will find a set to
suit.
I use them myself and I highly
recommend them. You can order online and have them
delivered by clicking on any of the Sfarzo banners you
see on the site.
Vibrato Arm
 The
"Vibrato" (pitch bend) unit can be found on many electric guitars.
It also
has a number of slang terms applied to it such as "tremolo
bar (or arm)", "sissy bar", "whammy handle", and "whammy
bar".
The last two terms led to 'stomp-box' manufacturers to
use the slang term 'whammy' to describe a pitch raising
effect introduced by the popular guitar effects pedal brand
"Digitech".
Leo Fender contributed a lot to the creation of the electric guitar.
He
also created much confusion over the meaning of the
terms "tremolo" and "vibrato". More specifically,
he did this by misnaming
the "tremolo" unit on many of his guitars and also
misnaming the
"vibrato" unit on his "Vibrolux" amps.
Generally in music, vibrato is a variation in pitch, whereas
tremolo is a variation in volume. So to add to the
confusion, the tremolo bar is
actually a vibrato bar (pitch) and the "Vibrolux" amps actually
had a tremolo effect (volume).
However electric guitarists
traditionally reverse these meanings when speaking of
hardware devices and the effects they produce -
following Fender's lead.
A distinctly different mechanical vibrato found
on some guitars is the BIGSBY vibrato. This vibrato wraps the strings around a
horizontal bar, which is then rotated with a handle by
the musician.
Another type of vibrato is the B-Bender. This is a spring
and lever device mounted in an internal cavity of a
solid body electric guitar. It allows the guitarist to
bend just the B string of the guitar using a lever
connected to the strap handle of the guitar. The
resulting pitch bend is the reminiscent sound of the
pedal steel guitar.
Capotasto

A capotasto (or capo) is
used to change the pitch of open strings. Capos are clipped
onto the fret board with the aid of spring tension, or in
some models, elastic tension.
To raise the guitar's
pitch by one semitone, the player would clip the capo
onto the first fret.
Their use allows a player
to play in different keys without having to change
fingering. Because of the ease with which they allow
guitar players to change keys, they are sometimes
referred to as "cheaters".
Classical performers are
known to use them to enable modern instruments to match
the pitch of historical instruments such as the
renaissance lute.
Slides
A slide is used in blues
and rock to create a glissando or 'Hawaiian' effect.
 The
necks of bottles were often used in blues and country music
and a knife blade or round metal bar has been known to be
used. (My brother-in-law uses a triangular miniature whisky
bottle)
 Modern slides are
constructed of glass, plastic, chrome, brass or steel,
depending on the weight and tone desired. An instrument that is played exclusively in this manner,
(using a metal bar) is called a steel guitar or pedal
steel.
Slide playing to this day is very popular in blues music
and country music.
Plectrums
A "guitar pick" or
"plectrum" is a small piece of hard material which is
generally held between the thumb and first finger of the
picking hand and is used to "pick" the strings.
Though most classical players pick solely with their
fingers, the "pick" is the most common means of playing used
today.
Today they are mainly plastic, however variations do exist,
such as bone, wood, steel or tortoise shell. Tortoise shell
was the most commonly used material in the early days of
pick making, but as tortoises became more and more
endangered, the practice of using their shells for picks or
anything else was banned.
Sadly there currently exists a black market for tortoise shell
picks, which are coveted for their supposedly superior tone and
ease of use.
Picks come in many shapes and sizes. Picks vary from the
small jass pick to the large bass pick. The thickness of the
pick often determines its use. A thinner pick (between .2
and .5 mm) is usually used for strumming or rhythm playing,
whereas thicker picks (between .7 and 1.5+ mm) are usually
used for single-note lines or lead playing..
Vibrato Units
A vibrato effects unit is used to modify the
sound of an electric guitar. It achieves this by producing a regular variation
in the volume (amplitude) of the sound.
Vibrato units can be individual "stomp boxes" or built-in
multi-effects units. They are traditionally built in to
guitar amplifiers. A vibrato unit typically has three controls:
speed, depth and power
The vibrato/reverb channel of a Fender Vibrolux
amplifier.
The potentiometers, from left to right, read:
Volume, Treble,
Bass, Reverb, Speed and Intensity.
Speed
controls the frequency of the variation, typically from
a maximum of 5 - 10Hz to a minimum as slow as one cycle taking several
seconds. Depth
or intensity controls the volume of the variation itself. The
minimum depth is usually, but
not always, zero. This is no effect on the sound at all.
The maximum depth does not normally cut the sound off
completely at the cycle minimum, but may reduce it by as
much as 6dB. The
on/off control which is traditionally a pull-on switch
on the depth potentiometer, a foot switch, or both. Off position bypasses the unit.
On an
amplifier mounted unit where both on and off switches are supplied,
the unit is bypassed if the pull-on switch is off,
regardless of the pedal. If the pedal is not plugged in,
the unit is turned on and off by the pull-on switch; If
the pedal is plugged in, then it controls the unit when
the pull-on switch is on.
An effects
pedal, or "stomp box", is an effects unit housed in a
small metal chassis.
They are called pedals or stomp boxes because they sit
on the floor and have large on/off switches on top that
are activated by foot. Some, such as wah-wah or volume
pedals, are also manipulated while in operation by
moving a large foot-activated potentiometer.
These devices alter the sound quality or timbre of the
input signal, adding effects such as
- distortion,
- fuzz,
- overdrive,
- chorus,
- reverberation,
- wah-wah,
- flanging,
- phaser or
- pitch shifting.
In contrast, the sound of a
guitar or other instrument that is played without the
use of an effects pedal is generally described as
"clean."
Some guitar
amplifiers have built-in effects such as Reverb and
Tremolo and a switching pedal that turns the effects on
or off. Channel switching between clean and distorted
channels of a guitar amplifier's built-in preamp is also
done with a switching pedal.
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